Dr. Leila Michelle Vaziri

Assistant Professor of English Literature (Akademische Mitarbeiterin Englische Literaturwissenschaft)

E-mail: leila.vaziri@uni-konstanz.de
Phone: +49 7531 88 2711
Office: H 107

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Office hour:

Please register for a slot in my office hour using this online timetable at least 24 hours in advance. Please also indicate if you prefer an online meeting via Zoom.

Postal Address:

Dr. Leila Michelle Vaziri
Universität Konstanz
Fachbereich Literatur-, Kunst-, und Medienwissenschaften
Fach 161
78457 Konstanz  


News

The CfP for the 33rd Annual CDE Conference on New Stages for Sex, Gender and Sexuality in Contemporary Theatre is online.

New PublicationThe Theatre of Anxiety: Border Crossings in 21st-Century British Theatre now available (open access

Curriculum Vitae

  • Since 2023 | Assistant Professor/Lecturer at the Department of Literature, Art and Media Studies, University of Konstanz
    Postdoc Project: “Representations of Pregnancy in British Literature and Culture: 1890-1939"
  • Since 2024 | Member of the Committee for International Scholarships (Mitglied im Ausschuss für Auslandsstipendien)
  • 2024 | Visiting Scholar: University of Cambridge, funded by the Young Scholar Fund (University of Konstanz)
  • 2019-2023 | PhD in English Literature (summa cum laude) at the University of Augsburg
    Dissertation: “The Theatre of Anxiety: Border Crossings in 21st-Century British Theatre.” Supervisor: Prof. Dr. Martin Middeke
  • 2020-2023 | Research Assistant at the Chair of English Literature, University of Augsburg
  • 2022 | Visiting Scholar: Royal Holloway, University of London; funded by the Büro für Chancengleichheit (University of Augsburg)
  • 2021 | Visiting Scholar: University College Dublin
  • 2017-2018 | Postgraduate Studies (Master) at the University of Aberdeen: Psychological Studies (with distinction)
  • 2016-2017 | Postgraduate Studies (Master) at University College Dublin: Philosophy and Literature (first class honours)
  • 2012-2016 | Undergraduate Studies (Bachelor) at the University of Augsburg and the Aberystwyth University, UK: English (literature and linguistics) and Philosophy

Scholarships and Prizes

  • 2024 | CDE Biennial Award for the best new monograph study in the field of contemporary theatre and drama in English
  • 2019-2023 | Full Scholarship: German Academic Scholarship Foundation (Studienstiftung des deutschen Volkes)
  • 2020-2023 | Full Scholarship: Marianne-Plehn-Programme
  • 2020-2023 | Elite Network of Bavaria (Elitenetzwerk Bayern)

Current Projects

Post-doc project: Representations of Pregnancy in British Literature and Culture: 1890-1939.

Research Interests

  • Contemporary British Drama and Eco-Drama
  • Anxiety and Negative Affects in 21st-Century British Literature
  • Pregnancy and Motherhood in Literature and Culture
  • Literary Modernism
  • Feminism, Gender and Sexuality Studies
  • Literature and Phenomenology
  • Literature and Psychology

Publications

Monograph

  • The Theatre of Anxiety: Border Crossings in 21st-Century British Theatre. De Gruyter, 2024. Link

Journal Articles and Book Chapters

  • Ecology and the Ethics of Care in Mike Bartlett’s Albion and Joe White’s Mayfly.” Gender, Affect and Care in Twenty-First Century British Theatre, edited by Clara Escoda, Verónica Rodríguez and José Ramón Prado-Pérez, forthcoming.
  • “‘I do I did I think I thought’: Temporal Contiguities of Pregnancy and the Ecological Crisis.” Temporalities of / in Crises in Anglophone Literatures, edited by Sibylle Baumbach and Birgit Neumann, Routledge, 2023, pp. 114-129. Link
  • with Martin Riedelsheimer: “Ecology in a Loop: Cyclical History and Alternative Epistemologies in Ella Hickson’s Oil.” Anticipatory Environmental Histories, edited by Christopher Schliephake and Evi Zemanek, Lexington Books, 2023, pp. 295-309. Link
  • “‘Half Way Between Pain and Pleasure’ – Pregnancy in Penelope Skinner’s The Village Bike.Journal for the Study of British Cultures, vol. 29, No. 2, 2022, pp. 193-208. Link
  • “‘I am the abyss into which people dread to fall:’ Encountering Anxiety in Dystopian Drama.” Twenty-First Century Anxieties: Dys/Utopian Spaces and Contexts in Contemporary British Theatre, edited by Merle Tönnies and Eckart Voigts, de Gruyter, 2022, pp. 185-200. Link
  • “Alienation, Abjection and Disgust: Encountering the Capitalocene in Contemporary Eco-Drama.” Journal for Contemporary Drama in English, vol. 10, no. 1, 2022, pp. 231-246. Link 
  • “Pregnant Pain and Power: Border Crossings in Mike Bartlett’s Earthquakes in London.” Anglistik, vol. 33, no. 3, 2022, pp. 123-138. Link 

Reviews

  • Rev. of Analysing Gender in Performance, edited by J. Paul Halferty and Cathy Leeney. Journal of Contemporary Drama in English, forthcoming
  • Rev. of Theatre in the Digital Age, 32nd Annual CDE Conference, Innsbruck (Austria), 2 - 5 May 2024. International Journal of Performance Arts and Digital Media, forthcoming.
  • Rev. of Stuart-Bennett, Joshua G. Motherhood, Respectability and Baby-farming in Victorian and Edwardian LondonJournal for the Study of British Cultures, vol. 31, no. 2, 2024, pp. 293-296. Link
  • Rev. of Crisis, Representation and Resilience: Perspectives on Contemporary British Theatre, edited by Clare Wallace, Clara Escoda, Enric Monforte and José Ramón Prado-Pérez. Journal of Contemporary Drama in English, vol. 11, no. 2, 2023, pp. 396–401. Link

Talks and Organised Conferences

  • "Victorian Letters and TikTok Pregnancies: The Politics of Fear and Its Influence on Childbirth" Reproductive Justice and the Humanities. Symposium and Network Launch. York, 21 June 2024.
  • “The Theatre of Anxiety: Aesthetics and Emotions in Contemporary British Eco-Drama.” Environment in Crisis: Crisis in Aesthetics. Asian, North American and European Approaches. Bamberg/Schloss Banz, 28-31 May 2024.
  • “‘As they sit there, the plants turn brown’ - Death, Grief and the Ethics of Care in Contemporary Eco-Drama” Gender, Affect and Care in Twenty-First Century British Theatre. Barcelona, 17 November 2023.
  • [Gastvortrag:] “‘Extermination? Poison? What do people normally do?’ The Intersection of Fear and Disgust in Contemporary British Drama.” Stuttgart, 13 December 2022.
  • [with Martin Riedelsheimer:] “Ecology in a Loop: Cyclical History and Alternative Epistemologies in Ella Hickson’s Oil.” Anticipatory Environmental Histories. Online, 24-25 February 2022.
  • “The Theatre of Anxiety: Border Crossings in 21st Century British Theatre.” ESSE: Doctoral Symposium. Mainz, 31 August 2022.
  • “Who is Afraid of Hyperobjects? Timothy Morton in Conversation with Lucy Kirkwood’s The Children.” Environmental Humanities. Augsburg, 13 June 2022,
  • “Crossing Temporal Borders in Contemporary Eco-Drama: Temporalities of Fear in Times of Crises.” Temporalities in/of Crises in Contemporary Anglophone Literatures. Online, 10 December 2021.
  • [Workshop Co-Organisation and Talk:] “The theatre of anxiety: phenomenology in contemporary British drama.” Philosophy and Literature Symposium and Keynote Event “Notes from a Biscuit Tin.” Dublin/Augsburg (online), 8 October 2021.
  • “‘Without man, the fox will rule:’ Disgust, Nature and Power in Caryl Churchill’s Far Away and Dawn King’s Foxfinder.” IFTR 2021: Theatre Ecologies: Environment, Sustainability and Politics. Galway (online), 13 July 2021.
  • “Alienation and Disgust: The Capitalocene in Contemporary Eco-Drama.” CDE Conference: Critical Theatre Ecologies. Augsburg (online), 5 June 2021.
  • “‘They’ve built a wall. A plastic wall as high as the canopy:’ Fear and the Crossing of Borders in Thomas Eccleshare’s Pastoral.” Intersections: Border Crossings. London (online), 14 May 2021.
  • “The Theatre of Anxiety: Phenomenology in Contemporary British Drama.” Phenomenology Symposium. Dublin (online), 26 April 2021.
  • “‘I am the abyss into which people dread to fall:’ Encountering Anxiety in Zinnie Harris’s How to Hold Your Breath and Alistair McDowall’s X.” Dystopian/Utopian Theatre in Britain after 2000 and its Political Spaces. Bielefeld (online), 13 March 2021.
  • “‘Since when did we have bears in England?’ Environment, Fear and its Borders in Contemporary Eco-Drama.” Environmental Humanities. Augsburg, 16 July 2020.

Courses

Summer Semester 2024:
Proseminar: Introduction to English Literary Studies SoSe 24 
Hauptseminar: Women Writers from Austen to Woolf SoSe 24 

Winter Semester 2023/2024:
Proseminar: Introduction to Literary and Cultural Analysis
Hauptseminar: Feminist Perspectives in/on Contemporary Drama

Summer Semester 2023:
Proseminar: Feminist Poetry
Proseminar: Political Drama

Winter Semester 2022/2023:
Proseminar: Trends in Theatre After 1950

Summer Semester 2022:
Proseminar: Feminist Poetry 

Winter Semester 2021/2022:
Übung: Drama Analysis 

Summer Semester 2021:
Proseminar: Analysing Fear in Shakespeare’s Plays 

Winter Semester 2020/2021:
Übung: Feminism and Gender Studies in the British Novel 

Summer Semester 2020:
Übung: Exploring Anxiety through Contemporary Drama

Summer Semester 2019:
Übung: Begleitübung zur Introduction to Literary Studies

Memberships